LIVE SOUND
“Electronic enhancement feeds wordless choral halos and shivers of percussion around the theater, amplifying shadowy, jazzy riffs, distantly reminiscent of Gershwin, and dusky slashes out of a Bernard Herrmann film score.”
Alongside audio recording, Myles Eastwood offers live sound engineering for events where high quality FOH sound is required. We have provided FOH engineering for a number of different musicians and bands, including the Lebanese Philharmonic Orchestra, Liane Carroll, Ian Shaw, Mark Armstrong, Stuart Barr, Glyndebourne Festival Opera, Cambridge University Jazz Orchestra, Classico Latino, Bounder & Cad and Multi-Story Orchestra, and have worked in a variety of venues from pubs, clubs and car parks to country house gardens, commercial concert halls and sports stadiums.
We work with a range of PAs and mixing desks by Allen & Heath, DiGiCo, Mackie, Soundcraft and Yamaha, and are well equipped with industry standard microphones, including beyerdynamic M88, M69 and M201 dynamics, as well as directional condensers by Neumann and Sennheiser that suit solo instruments and drum overheads. Many of the skills associated with mix engineering are relevant to live sound, including balancing the ensemble, EQ and dynamic compression. Click below to discuss your requirements: